This series’ sub title is ‘subconscious fortune’. It explores my abstracted inner emotive spiritualties in nature based on Japanese religious aesthetic aspects.
I used multi-plate to create intricate images, each plate applying different colour. I produced this series with bleed printing which prints beyond the white edge of the paper so there is no white edge of paper around the image.
“Her work interprets Japan’s native nature aesthetic, which colours her perspective with its placement of nature at the centre of its philosophy. Specifically, she is influenced by Shintoism and Zen Buddhism, the latter teaching the beauty of imperfection in nature which is an important part of her aesthetic.
– Zoe Harrington, freelance writer / former editor of Sculpture + Enemies”