This series is based on same theme of ellipsis series as colour study in small scale compositions with the sense of minimalism.
My observations of fragments of nature through Animist-Shinto meditation are the bases of these studies in colour, overlay and texture using paint layering in an almost sculptural sense.
“Her work interprets Japan’s native nature aesthetic, which colours her perspective with its placement of nature at the centre of its philosophy. Specifically, she is influenced by Shintoism and Zen Buddhism, the latter teaching the beauty of imperfection in nature which is an important part of her aesthetic.
– Zoe Harrington, freelance writer / former editor of Sculpture + Enemies”